Kevin McKay - No Samples Were Harmed In The Making Of This Record (2019)
Title: No Samples Were Harmed In The Making Of This Record
Label: Glasgow Underground
Style: Nu Disco, Indie Dance, Club, Jackin, Funky
Release Date: 08-11-2019
Format: CD, Album
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 14 Tracks
Time: 01:07:54 Min
Size: 155 MB
Tracklist:
01. Kevin Mckay - Fever Called Love (Original Mix) 4:29
02. Kevin Mckay & Cassimm - Save Me (Original Mix) 5:48
03. Kevin Mckay & Joshwa (Uk) - Such A Good Feeling (Original Mix) 3:07
04. Kevin Mckay & David Penn - Hallelujah (Original Mix) 4:25
05. Kevin Mckay - Move Your Body (Original Mix) 5:43
06. Kevin Mckay - I Got The Feeling (Original Mix) 5:14
07. Kevin Mckay & Start The Party - Million Dollar Bill (Original Mix) 4:41
08. Kevin Mckay & Start The Party - I Feel Love (Original Mix) 7:02
09. Kevin Mckay & Marco Anzalone - Technologic (Original Mix) 4:36
10. Kevin Mckay & Disaia - What About Us (Club Mix) 3:53
11. Nader Razdar & Kevin Mckay - Get Ur Freak On (Original Mix) 3:23
12. Kevin Mckay - A Deeper Love (Original Mix) 4:07
13. Kevin Mckay & Matt Fontaine - Get Get Down (Original Mix) 5:28
14. Kevin Mckay & Start The Party - Don't Leave Me This Way (Extended Mix) 5:59
Kevin McKay, the founder of much-respected house label, Glasgow Underground, releases his new album 'No Samples Were Harmed In The Making Of This Record'. The album delivers a fresh look at the concept of cover versions, an area generally derided in electronic music. As the title suggests, the album is a reaction to the clampdown on sampling which has taken place in the digital domain since the introduction of advanced audio recognition technology and
the subsequent impact on the creative process of making music. As a DJ running events at Mick's Garage in Hackney, McKay wanted to create new edits and versions of classic house and disco tracks for his sets but the issues with sample clearance - namely cost and often a long, drawn-out clearance process - made this impossible. So, he set about re-recording these classics as high-quality cover versions, remixing them with modern sounds and studio techniques to ensure they would stand up alongside the brand new tracks he played. The result is fourteen brand new versions of crowd-pleasing tracks which redefine the role of the cover version.
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