Katy Perry - Smile (2020)
Artist: Katy Perry
Title: Smile
Label: Capitol / EMI Music Australia
Style: Electropop, Rock, Funk, Soul, Vocal, Dance, Tropical, Synthpop, Nu-Disco
Release Date: 28-08-2020
Format: CD, Album
Quality: Lossless/24 bit/Stereo/44100Hz
Codec: FLAC
Tracks: 12 Tracks
Time: 00:36:42 Min
Size: 441 MB
Tracklist:
01. Katy Perry - Never Really Over 3:43
02. Katy Perry - Cry About It Later 3:10
03. Katy Perry - Teary Eyes 3:03
04. Katy Perry - Daisies 2:54
05. Katy Perry - Resilient 3:08
06. Katy Perry - Not The End Of The World 2:59
07. Katy Perry - Smile 2:47
08. Katy Perry - Champagne Problems 3:16
09. Katy Perry - Tucked 3:07
10. Katy Perry - Harleys In Hawaii 3:05
11. Katy Perry - Only Love 3:19
12. Katy Perry - What Makes A Woman 2:11
Title: Smile
Label: Capitol / EMI Music Australia
Style: Electropop, Rock, Funk, Soul, Vocal, Dance, Tropical, Synthpop, Nu-Disco
Release Date: 28-08-2020
Format: CD, Album
Quality: Lossless/24 bit/Stereo/44100Hz
Codec: FLAC
Tracks: 12 Tracks
Time: 00:36:42 Min
Size: 441 MB
Tracklist:
01. Katy Perry - Never Really Over 3:43
02. Katy Perry - Cry About It Later 3:10
03. Katy Perry - Teary Eyes 3:03
04. Katy Perry - Daisies 2:54
05. Katy Perry - Resilient 3:08
06. Katy Perry - Not The End Of The World 2:59
07. Katy Perry - Smile 2:47
08. Katy Perry - Champagne Problems 3:16
09. Katy Perry - Tucked 3:07
10. Katy Perry - Harleys In Hawaii 3:05
11. Katy Perry - Only Love 3:19
12. Katy Perry - What Makes A Woman 2:11
Pops Queen Weeble, Katy Perry has made wobbling but never falling down her MO, belting out her chin-up, grin-on anthems tirelessly. Yet even she can’t power through 2020; her fifth album is coloured by a depressive period during which this all-American trouper found her work was no longer working for her.
At first it seems she’s bounced back undaunted: galvanising opener Never Really Over thrums with fizzing electro synths; Daisies pushes back against detractors with brio. Yet there’s a creeping lethargy, a sense that, at 35 and about to become a mother, Perry’s kitschy shtick of old doesn’t quite fit any more, but that she hasn’t found a way forward she can connect with. The cool, sultry Cry About It Later and the housey Teary Eyes aim at the sort of sad-party-girl pathos owned for eternity by Sia’s Chandelier, but feel forgettable and anonymous, as does the by-numbers trap pop of Not the End of the World.
At first it seems she’s bounced back undaunted: galvanising opener Never Really Over thrums with fizzing electro synths; Daisies pushes back against detractors with brio. Yet there’s a creeping lethargy, a sense that, at 35 and about to become a mother, Perry’s kitschy shtick of old doesn’t quite fit any more, but that she hasn’t found a way forward she can connect with. The cool, sultry Cry About It Later and the housey Teary Eyes aim at the sort of sad-party-girl pathos owned for eternity by Sia’s Chandelier, but feel forgettable and anonymous, as does the by-numbers trap pop of Not the End of the World.
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