Nothing But Straight Up Weapons Vol 7 (2017)

Artist: Various Performers
Title: Straight Up Weapons Vol 7
Label: Nothing But Records
Style: Trap, Grime, Breaks, Broken Beat, G-Funk, Corbstep
Release Date: 19-05-2017
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Tracks: 25 Tracks
Size: 250 Mb / 01:47:17 Min

Tracklist:
01. Sfera - Luc's Last Voyage (Original Mix) 05:42
02. Dolser - Vortex Of Fear (Original Mix) 04:37
03. Rekore - Shadow Warrior (Original Mix) 02:42
04. Head Splitter - Vurdalak (Original Mix) 03:29
05. Dex - Nightmares (Original Mix) 02:24
06. Dreamcather - Space Flight (Original Mix) 04:44
07. Lbs - Marijuana (Original Mix) 04:23
08. Distributor - Flat Earth (Original Mix) 05:36
09. Cvx - Back Again (Original Mix) 03:47
10. Musicestetik - Paradise (Original Mix) 04:33
11. Cam Lasky - In The Black Fog (Original Mix) 04:37
12. Dmitry Hertz - Fate (Original Mix) 06:13
13. Maniatics - Clenching Hand (Original Mix) 04:31
14. Gtsfunnycat - Over Drop (Original Mix) 04:29
15. Skuvlow - Neo (Original Mix) 04:00
16. Ultra - Lock On (Original Mix) 05:41
17. Adrenalin Studio - Rudeboythings (Original Mix) 03:50
18. Aliman - Home (Original Mix) 04:24
19. Frepz - Down (Original Mix) 03:28
20. Royce Robbins - Lit (Styles & Complete Remix) 03:13
21. Meta - Cult Ritual (Original Mix) 03:06
22. The Provence - Demmanawash (Shelest Karin, Gerl Ebay, Manzhelo Remix) 03:23
23. Lazor - Hood S***T (Kemp&Thompson Remix) 05:51
24. Rob Gasser - Antimatter (Original Mix) 03:05
25. Patrick Rohm - Alice Im Wunderland (Original Mix) 05:18


[media=https://www.youtube.com/watch?v=dczdNhhBskQ]
[media=https://www.youtube.com/watch?v=dYTRC7pfAl0]

Compilation Straight Up Weapons meeting in the huge amount of tracks on each day and the mood, and maybe the same attitudes and beliefs!
Nu-Funk sound has adapted influences from hip hop, funky breaks, dubstep and big beat and became a more diverse sample-based form of music.
The article suggests that forms of contemporary popular music parallel key facets of ethnography, not simply in terms of sociological analysis, but with regard to popular music as an ethnographic resource and the article argues that contemporary British hip-hop in the form of grime is a potent exemplar.
G-funk which uses funk with an artificially altered tempo incorporates multi-layered and melodic synthesizers, slow hypnotic grooves, a deep bass, background female vocals, the extensive sampling of P-Funk tunes!