Miami 2018 Anthems Bass (2018)

Artist: Various Performers
Title: Miami 2018 Anthems Bass
Label: LW Recordings
Style: Future Garage, Bassline, Grime, 2-Step, Breakbeat, UK Funky
Release Date: 20-03-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 25 Tracks
Time: 02:04:08 Min
Size: 284 MB

Tracklist:
01. (Aka)Dreams - Slow Down The Progress (Breaks Mix) 5:37
02. 100me - Industrial Complex (Original Mix) 5:01
03. 100me - From Within (Visible Sound Remix) (Feat. Rachel Wallace) 6:28
04. 1thirty - Roll Out (Original Mix) 5:01
05. 2 Rotten Scoundrels - A State Of Mind (Fyre Productions Remix) 7:38
06. 23 Psi - The Music Ain't Over (Original Mix) 6:41
07. Expant - Aftermath (Original Mix) 6:18
08. 54ru - Road In The Fields (Original Mix) 5:57
09. Agu - Crawling (Dephex Remix) 4:55
10. Amp - As Long As (Original Mix) 3:01
11. A.Fruit - This Moment (Original Mix) 4:43
12. Aerostatik - Dimensions (Original Mix) 5:51
13. Aezron - Got To Live (Aezron Remix) 4:20
14. Alekay - Your World (Original Mix) 5:45
15. Aliens At Work - Answers (Original Mix) 3:40
16. Ambrož - Blast (Original Mix) 5:04
17. Atom West - Pimp Mode (Original Mix) 5:35
18. Attooxxa - Abana (Original Mix) (Feat. Lu) 3:27
19. August - Love Buzz (Original Mix) 3:38
20. Defiance - Hype Riddim (Original Mix) 4:33
21. Dwongo - Free Willy (Funky Lick Mix) (Feat. Clencha) 2:46
22. Genetic.Krew - Planet Nine (Original Mix) 4:31
23. Reuben G - Speed Boat (Original Mix) 5:45
24. 3d - Sexy Bot (Original Mix) 4:12
25. Pingüino - Stop It (Original Mix) 3:38




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Compilation Miami 2018 Anthems Bass meeting in the huge amount of tracks on each day and the mood, and maybe the same attitudes and beliefs!
Miami 2018 Anthems Future House presents tracks and remixes from Visible Sound, 1Thirty, 23 Psi, ExpAnt, 54ru, Dephex, Amp, A.Fruit, Aerostatik, Aezron, Alekay, Aliens At Work, Ambroz, Atom West, August, Defiance, Dwongo ft Clencha, Genetic.Krew, 3D, MIAU & Pinguino, 100Me ft Rachel Wallace!
Breakstep evolved from the 2-step garage sound. Moving away from the more soulful elements of garage, it incorporated downtempo drum and bass style basslines, trading the shuffle of 2-step for a more straightforward breakbeat drum pattern.
Like grime, which was developing concurrently in London, bassline was associated with violence, anti-social behaviour and criminal activity during the time of its rise to popularity, which contributed to a general lack of willingness among venue owners and the police to accommodate bassline events.