The Midnight Hour: Mod Classics (2018)

Artist: Various Artists
Title: The Midnight Hour: Mod Classics
Label: Warner Music Group - X5 Music Group
Style: New Orleans Blues, Dixieland, New Orleans Rhythm & Blues, Boogie-Woogie
Release Date: 11-05-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 30 Tracks
Time: 01:20:50 Min
Size: 194 MB
Tracklist:
01. Wilson Pickett - In The Midnight Hour 2:40
02. Otis Redding - Out Of Sight 2:18
03. Doris Troy - What'cha Gonna Do About It 1:52
04. The Capitols - Cool Jerk 2:46
05. The Mar-Keys - Last Night 2:39
06. Ray Sharpe - Help Me (Get The Feeling) Pt. 1 (Single Version) 2:35
07. Mary Wells - Can't You See (You're Losing Me) 2:46
08. Eddie Floyd - Big Bird 3:00
09. Aretha Franklin - Chain Of Fools 2:43
10. Clarence Carter - Looking For A Fox 2:22
11. Booker T., The Mg's - You Can't Sit Down 2:51
12. The Invitations - Skiing In The Snow 2:40
13. Professor Longhair - Mardi Gras In New Orleans 2:55
14. Lavern Baker - Voodoo Voodoo 1:49
15. The Apollas - Just Can't Get Enough Of You 2:25
16. King Curtis - Green Onions 2:22
17. Ronnie, The Pomona Casuals - High Heel Sneakers 2:16
18. Ike, Tina Turner - Finger Poppin' 2:49
19. Barbara Lewis - Someday We're Gonna Love Again 2:09
20. Mitch Ryder, The Detroit Wheels - Breakout 3:16
21. Mel Tormé - Comin' Home Baby 2:43
22. The Drifters - At The Club 3:00
23. The Toys - A Lover's Concerto 2:38
24. Solomon Burke - Soul Meeting 3:35
25. Rufus Thomas - The Memphis Train 2:34
26. The Marvellos - You're Such A Sweet Thing 2:28
27. Mable John - Able Mable 2:39
28. The Astors - In The Twilight Zone 2:45
29. Rahsaan Roland Kirk - Making Love After Hours 4:34
30. Betty Lavett - My Man - He's A Lovin' Man 2:41

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Boogie Woogie, or barrelhouse is a blues-based piano style in which the right hand plays an accompaniment figure that resembles a strummed rhythm, such as is typically played on the guitar or banjo in rural blues dances. This could be expressed as a walking octave, an open-fifth pounded out with a blue third thrown in, or even a simple figure such as falling triad; the approach varies to the pianist. The style probably evolved in the American Midwest alongside that of ragtime, to which it is closely related.
Dixieland, a style that overlaps with New Orleans jazz and classic jazz, has also been called Chicago jazz because it developed, to an extent. Most typically, the framework involves collective improvisation during the first chorus (or, when there are several themes, for several choruses), individual solos with some riffing by the other horns, and a closing ensemble or two with a four-bar tag by the drummer which is answered by the full group.

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