O Essencial Do Vocal Jazz Feminino (2018)

Artist: Various Artists
Title: O Essencial Do Vocal Jazz Feminino
Label: Warner Music Group - X5 Music Group
Style: Chicago Soul, Gospel, Swedish Pop, Classic Female, West Coast, Regional Blues
Release Date: 03-04-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 23 Tracks
Time: 01:24:39 Min
Size: 193 MB

Tracklist:
01. Aretha Franklin And Arif Mardin - So Long 4:37
02. Nina Simone - I Loves You, Porgy 4:04
03. Nannie Porres - Love For Sale 4:09
04. Barney Kessel, Joe Comfort & Sarah Vaughan - The Very Thought Of You 4:12
05. Donny Hathaway - I Love You More Than You'll Ever Know 5:20
06. Fafa De Belem - Preciso Aprender A Ser So 4:09
07. Claes-Goran Fagerstedt & Nannie Porres - This Is No Laughing Matter 4:25
08. Josephine Baker - La Vie En Rose 2:55
09. Bisquit - Ostrze Zmysly 2:18
10. Chris Minh Doky - I Just Wanna Stop 4:52
11. Ernestine Anderson - Did I Remember 3:15
12. Doris Monteiro - Gracas A Deus 3:16
13. Andreas Johnson - Night And Day 3:13
14. Laura Garam - Shiny Stockins 3:27
15. Monica Zetterlund, Mel Lewis Orchestra & Thad Jones - Long Daddy Green 3:38
16. Ccilie Norby - Suppertime 3:49
17. Carola & Heikki Sarmanto Trio - Work Song 3:47
18. Esther Phillips - I'd Fight The World 2:51
19. Annie Ross & Gigi Gryce Orchestra - The Song Is You 3:11
20. Niels Henning Rsted Pedersen & Tania Maria - Bim Bom 3:20
21. Shirley Bassey - The Nearness Of You 4:23
22. Chris Connor - The Night We Called It A Day 3:22
23. Esther Phillips - Why Should We Try Anymore 2:07




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Classic Female Blues or more accurately Vaudeville Blues, was a field dominated by women singers that enjoyed its heyday. Although officially introduced by Mamie Smith with her hit Okeh recording of Crazy Blues, vaudeville entertainers such as coon shouter Sophie Tucker.
A large segment of the music does not fit into any historical style; it is not as rock-oriented as fusion or as free as avant garde. Starting with the rise of Wynton Marsalis, a whole generation of younger players chose to play an updated variety of hard bop that was also influenced by the mid 60s'Miles Davis Quintet and aspects of free jazz.
The West Coast style was also home to numerous jump-blues practitioners, as many traveling bands of the 1940s ended up taking permanent residence there. Its current practitioners work almost exclusively in the standard small-combo format.