Brazil 80s (2017)

Artist: Various Artists
Title: Brazil 80s
Label: Warner Music Group - X5 Music Group
Style: Samba-Reggae, Latin, Axe, Pagode Baiano, Forro, Batucada, Cumbia
Release Date: 23-05-2017
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Tracks: 25 Tracks
Size: 222 Mb / 01:35:37 Min

Tracklist:
01. Gilberto Gil - Palco 04:26
02. Antonio Carlos Jobim - Dindi 04:15
03. Jorge Ben Jor - Pega Ela De Montao 04:55
04. Baden Powell - Cancao Das Flores 03:52
05. Paulinho Da Viola - So Ilusao 04:13
06. Carlos Lyra - Cante Uma Cancao 02:42
07. A Cor Do Som - Magia Tropical 03:07
08. Chiclete Com Banana - Fe Brasileira 04:06
09. Kid Abelha - Lagrimas E Chuva 04:33
10. Zeze Motta - Remendos 03:31
11. Baby Consuelo - Seus Olhos 04:18
12. Lulu Santos - O Ritmo Do Momento 02:45
13. Barao Vermelho - Bagatelas 03:20
14. Olodum - Farao Divindade Do Egito 03:56
15. Ed Motta - Baixo Rio 03:19
16. Guilherme Arantes - Lance Legal 04:04
17. Ira! - Flores Em Voce 02:36
18. Luiz Melodia - Decisao 05:16
19. Ultraje A Rigor - Nos Vamos Invadir Sua Praia 04:15
20. Dona Ivone Lara - Alguem Me Avisou 02:33
21. Miucha - Anjo Exterminado 03:52
22. Tim Maia - Somos America 04:48
23. Oswaldo Montenegro - Por Brilho 03:47
24. Ney Matogrosso - Napoleao 02:53
25. Pepeu Gomes - Eu Tambem Quero Beijar 04:04



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Brazil 80s is designed and signed as a reference on your choice of several exchangers file. Listen, familiarize and download the publication on this website.
Carlos Eduardo Lyra Barbosa is a Brazilian singer and composer of numerous bossa nova and Música popular brasileira classics. He was born on May 11, 1939. He and Antonio Carlos Jobim, were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by Joao Gilberto on his first LP entitled Chega de Saudade, which was called the first generation of Bossa Nova.
Pharaoh is a song released by Djalma Oliveira and Margareth Menezes. Composed by Luciano Gomes, the song was the first samba-reggae recorded in Brazil, sold more than 100,000 copies and, according to Oliveira himself, Was a landmark for Brazilian music, especially Bahia, because it was a watershed in Carnival.